From Organization / 国外机构评价: |
PreSchool-Grade 1–With his characteristically spare story line and larger-than-life visuals, Rohmann returns to the concept (and nearly identical form) of an inanimate fish that becomes a living playmate, first introduced in The Cinder-Eyed Cats (Crown, 1997). The tale opens at Clara's bedtime, when an enormous fish glides through her window. The creature is an acquaintance from a sculpture in the park. Ensuing scenes depict Clara and Asha playing ball, stalling during bath time, and coordinating costumes at Halloween. A climactic finale depicts Clara floating on bubbles out of her room and soaring with her protective companion, a situation calling for the artist's signature panoramic perspectives. When an offstage mom suggests that her daughter go to sleep, an alligator shadow on her bedspread hints that the party is not quite over. The oil paintings portray a natural world in all its glorious seasons, brimming with mystery and delight, where time spent with a friend is one of life's greatest joys. Children will revel in the opportunity to see their dreams and longings realized so enchantingly |
Foreign Customer Review / 国外客户评价: |
While it doesn't have that wondrous vintage animation look that highlighted his Caldecott Medal winning "My Friend Rabbit," Eric Rohmann has another winner in always the classic motif of a girl and her fish. That's part of the fun here, we can imagine a girl or boy and his dog, or horse, or even pet rabbit--but a fish? With the exception of "Finding Nemo," "Mr. Limpet," and a few other famous fictional fish (and the former are both movies), the finned set is hardly the stuff of which dreams are made of. Yet, that's exactly what Rohmann does, and his enormous talent as storyteller and illustrator makes this seem almost as familiar and stories featuring animals that are more typical.
Rohmann pulls off this by setting his fish tale within a standard kids' book formula: The youngster who has fantastic dreams about some object encountered while awake, often a toy. Even within this context, Rohmann shows his originality, for the referent is not some household plaything, but the fish that form the base of a fountain seen by the young girl at the park.
The next problem with fish is that some people think they're slimy, ugly creatures akin to other people's image of snakes. So...how do you make a fish look loveable? Rohmann's oil paintings are uncluttered, fresh, and surprisingly light for their medium. The fish's big eyes and friendly face, it's very buoyancy, make it seem like a Macy's Parade float or a giant kite, rather than some dark, ugly-mouthed lunker bottom-feeding in some briny seawater. The fish actually looks huggable, and so when the little girl hugs her imagined fish, it looks real and seems--well, warm and cute. Rohmann also draws his well-known panoramas, including one where the giant (but floaty-friendly) fish takes her on a ride through the skies, planting her safely back to the bed from which she dreamed him. The dream device, by the way, is done in a subtle that permits a toddler audience to suspect that the gentle adventure might be more than "only a dream."As with "My Friend Rabbit," Rohmann the storyteller provides a little twist at the story's conclusion: When a big alligator shows up next at the girl's window, the most watchful of readers/listeners may remember seeing a toy alligator several pages earlier. Another simple yet imaginative outing from Rohmann. |
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